randian | 燃点

WANG Qiang | The Poet’s Winter 10.21 – 12.08, 2017   We are delighted to announce the opening of Wang Qiang’s fourth solo exhibition at WHITE SPACE BEIJING on October 21st, 2017. This exhibition will present the artist’s practice over the last two years. Starting from the painting The Poet’s Winter, this exhibition reveals a […] >> Read more

We are very pleased to announce that Wang Qiang’s third solo exhibition “Fremde Stadt” will open on June 13th, 2015 at WHITE SPACE BEIJING. >> Read more

Red Gate Gallery is proud to announce the opening of Creative Realms by Wang Qiang on September 14, 2013. >> Read more

In Wang Qiang’s recent paintings, the image materials he uses are not merely copies of coloring representations, but a parallel to his thoughts on paintings. >> Read more

Hive Center for Contemporary Art is pleased to announce the opening of "The Moving Images: Liu Guoqiang Solo Exhibition" >> Read more

Randian interviews Dr. Alexandra Munroe, Ted Lipman and Dr. Thomas J. Berghuis about Wang Jianwei’s “Time Temple” — part of a five-year initiative by the Guggenheim Museum and the Robert H. N. Ho Family Foundation to promote current Chinese art... >> Read more

On September 19, 2015, OCAT Shenzhen will present the solo exhibition Geng Jianyi: East to the Bridge. >> Read more

Red Gate Gallery was founded in 1991 by Australian, Brian Wallace, who first traveled to China in 1984. In 2011 Red Gate Gallery celebrated it's 20th year with a exhibition in Beijing, Shanghai and a tour of Australia in 2012. For 23 years. Red Gate has been at the forefront of Chinese contemporary art >> Read more

Yesterday signalled new exhibition openings in Beijing's 798 and Caochangdi art districts. Randian sped through Hou Yong and Wu Dexin at Tang Contemporary, Liu Ren, Zhang Ruyi and Gao Ludi at White Space, Zeng Hao at Hadrien de Montferrand and and Wang Xingwei works at 01100001 and UCCA. Here is the photographic evidence. >> Read more

The idea of a Memo creates a fitting sense of annotation around these pieces; it suggests a note, a record or reminder of these artists’ work as something not to be forgotten. Though this might seem an odd imperative for their representing gallery (whose general task it is to make sure we see and remember them)... >> Read more